showing 18 results matching `creditline:"Bequest of Virginia Doneghy, by exchange"`

rectangular lidded woven box; cover has light tone at center with two rows of purple stripes bordering wide variegated green-brown stripes at each end; box sides have central tan and brown stripe, flanked by variegated green-brown stripes and thin purple stripes; bottom of box has light tone; loose certification tag with artist's signature inside box — Glove Box, 2013
Theresa Secord

G260

stacked vessel with three layers; each layer intricately painted; bottom layer has basket-weave pattern with bright colors; center and top levels have tiny bars with geometric designs separated by bead-like forms of bright colors; squiggle patterns in drip-form at top of lower layers; top layer has two segments of contrasting striping — Overlay, c. 2014
Les Namingha

G259

Native American woman in traditional dress kneels on floor surrounded by artificial and natural props: inflated elk, dried flowers, buffalo skull, and colored leaves; painted landscape backdrop — Fall, 2012
Wendy Red Star

Not on View

Native American woman in traditional dress sits on ground holding a styrofoam ball surrounded by artificial and natural props: crows, cardinals, packing peanuts, marshmallows on branches, buffalo skull, and black cloth pond; painted backdrop of dark clouds and trees — Winter, 2012
Wendy Red Star

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Native American woman in traditional dress kneels on floor surrounded by artificial and natural props: white flowers scattered on green turf, young deer at left, coyote at right, pink flowers, butterfly; lake and mountains as backdrop — Spring, 2012
Wendy Red Star

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Native American woman in traditional dress kneels on floor surrounded by artificial and natural props: buffalo skull at right, buck at left, cattails, flowers; lake with reflection of snow-capped mountains and pine trees — Indian Summer, 2012
Wendy Red Star

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fully beaded tall boots with American flag, morning star, geometric designs on blue ground; design of boot is mirrored on the other; colors are blue, red, green and design is created all in small glass beads, vertical row of brass buttons on outside of leg, not functional; vertical opening in boot on outside of leg tied with three leather ties; red wool covered boot forms tacked into boots; raw leather sole; .1 is a matching dress — Pair of boot moccasins, 20th century
Imogene Big Medicine

Not on View

high-heeled platform Mary Jane-style shoes embellished with beading overall; predominately light blue beads with geometric designs; gold, medium blue and dark blue triangles on heels; kiltie extending below strap made of vertical bands of porcupine quills with a black and white checkerboard design at center edged in yellow and red; ten tassels of red feathers and tin cones on kilties; soles of shoes are red; shoes are Lady Daf 160 mm Tartan, designed by Christian Louboutin — Adaptation II, 2012
Jamie Okuma; Designer: Shoes designed by Christian Louboutin

Not on View

fully beaded child-size dress or shirt with long buckskin fringe at arm openings and bottom; American flag designs at shoulders and waist with morning stars, red, gold, green geometric designs in a blue field; bead design is the same on both front and back; all small glass beads; lined with a red cotton fabric with small floral pattern; .2a,b is a matching pair of boots — Dress, c. 1965
Imogene Big Medicine

Not on View

Wall mounted sculpture in two triangular forms; grid of peeled willow branches tied with leather strips into a framework; framework is long straight branches crossed with rows of bent branches; part (a) has one straight cross branch at the wide end — Woodland Forms, 1997
Truman Lowe

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kneeling nude woman with brown linear marks and clumps of mud on her body, with her head upraised, throwing her long dark hair back — Kaa, 2017
Cara Romero; Printer: Cara Romero

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four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has radiating symmetrical design of circles in a diamond pattern, with filled-in dots of various colors (brown, blue, orange, yellow, and pink) in corners; second sheet from top has pattern in horizontal bands of clusters of circles in various colors, with a brown bar beneath each cluster, with light shading in background overall; second sheet from bottom has a simplified image of a semicircular cape with abstracted design of brown, red, and yellow flowers, orange and pink berries, and green vines and leaves on a blue ground; bottom sheet is text: SHIRLEY TEMPLE - When blue / flannel was first introduced little girls wore / capes of it, decorated with beads, like this one. — Shirley Temple, c. 1938
Mary Sully

Not on View

four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has symmetrical design with blue winged heart at center and green and yellow winged hearts in corners, with green, yellow, and brown leaves, stems, and buds; second sheet from top has red, green, and white repeating patterns with chevrons with scallops, jingle bell-like forms, and rectangular and square wedges; second sheet from bottom has a symmetrical multicolored design with three heart-shaped flowers, half-circle and clover-like forms, and brown and green buds; bottom sheet is text: Spring — Spring, c.1935
Mary Sully

Not on View

four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has symmetrical design similar to an aerial view of a garden with green grounds, central square area with red path, white paths with tear-drop shaped elements near center, curving brown paths, and blue streams with bridges in corners; second sheet from top has overall repeating designs with red deiamonds with blue rectangles, large openwork floral forms in green and brown, and green grid; second sheet from bottom has a symmetrical design with two arches with red, brown, and green, with horizontal bands at top and three rows of arches surrounding forms, with brown elements at bottom; bottom sheet is text: George Ade / (Very generous about letting people enjoy the extensive / grounds on his estate in Indiana) — George Ade, c.1935
Mary Sully

Not on View

three vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has hat-like form with green and brown lines; red arrows at center of left and right edges; green vertical lines at bottom with four small arcing railroad track elements; center sheet has repeating organic vertical pattern with brown and green ovals and red diamonds; bottom sheet has rectangle split into three vertical rectangles; central section has nine geometric elements in red, brown, and grey made of squares and rectangles; left and right sections have red horizontal lines; bottom sheet detached — Steinmetz, c.1935
Mary Sully

Not on View

four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has stylized image of three heads, seen from above--2 with wavy blonde hair, one with black hair and moustache, wearing suit jackets and shirts with dollar signs down the front, drinking from black straws in a milk bottle with a band of dollar signs; red hearts with cracks and symbols and circles in lower quadrants; second sheet from highly stylized symmetrical pattern of three heads with bands of dollar signs around spoked medallion, separated by colored circles; intertwined red, purple, and green hearts; verso: unfinished design at center, similar to recto, with triangular pencil guide marks; second sheet from bottom has geometric design with eight-pointed star at center, surrounded by various multicolored geometric circular bands; geometric rectangular border primarily in green and red; bottom sheet is text: Titled Husbands in USA — Titled Husbands in USA, c.1935
Mary Sully

Not on View

Olla form with geometric design — Basket, c. 1900
Indé (Apache)

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Christian Louboutin shoe box for "Adaptation II", 2012

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showing 18 results matching creditline:"Bequest of Virginia Doneghy, by exchange"

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